Wednesday, April 26, 2006

Tarot Card Readings The Spread

Tarot Card Readings The Spread Cover When a tarot reading is done, the cards are laid out as a pattern in what is
called a spread.

There are many different types of spreads, ranging from those that comprise
of a single card to spreads that include all 78 cards of the deck. Some
spreads are only done with the Major Arcana Cards.

Which spread is applied is up to the reader and the particular type of
question or reading. Some spreads focus more on a specific type of
Information.

An example of this is that a spread may be focused on a singular question,
while others are broader in terms, such as in ones outlooks and prospects in
regards to Relationships, financial maters, etc...

One of the most common tarot spreads is the Celtic cross, it is used more for
those specific questions. This is the one I am going to cover in this
article.

It depends on the person giving the reading, but usually, prior to the
reading, the cards are shuffled by the person receiving it, also known as the
querent. The reason for this is that some say this carry-overs the person's
energy to the deck. The person, while shuffling, should also concentrate on
the answers they are after.

Some readers do it differently, asking the querent to cut the cards for them
after they have shuffled. Or in more traditional circles, a more complicated
sorting and separation of the cards is executed .

Card 1: Represents the Present.

Card 2: The immediate challenge confronting the querent. You will frequently
pull a hard card here, which will suggest an obstacle that must be overcome.
If you pull a "good" card here, analyse it carefully because it will still
represent a challenge.

Card 3: Distant past, foundation. This card should indicate the root of the
subject matter of the question

Card 4: More recent past, including events. This will indicate events taking
place, not necessarily directly associated to the question. For instance, if
a love affair going wrong Card 3 would show the root of why it is going wrong,
whereas Card 4 will show something that recently happened to reflect this.
You could see this as a "check comment" card - a way of seeing that the
reading is valid.

Card 5: The best that can be accomplished. This is directly associated to the
question. Note that this may not necessarily gel against Card 10 - it depends
whether you are able to get the best. However, a negative card here in all
probability signifies that it is worthwhile cutting your losses rather than
putting any more effort into the situation.

Card 6: Immediate Future. This indicates events in the next few days or week(
s). This reading does not cover months.

Card 7: Factors or internal feelings impacting the situation. Compare this
against Card 1 in order to understand underlying forces/trends. If there is
conflict between them this tends to indicate that the querent is going in the
wrong direction.

Card 8: Outside influences. People, energies or events which will affect the
outcome of the question and are beyond the querent's control.

Card 9: Hopes or fears around the situation. This may bring forth a card that
confuses us badly. Always bear in mind that hopes and fears are closely
entwined, therefore that which we hope for may also be that which we fear,
and so may fail to happen. Occasionally it is useful to draw a second card
for clarification after the reading has been laid, and to read the two
together.

Card 10: Final outcome. This is a fairly self explanatory card. However it is
worth saying that if the card comes up fairly ambiguous, once more it may be
worth drawing three extra cards to clarify. These should be interpreted
through the lens of Card 10.

Books in PDF format to read:

Tuesday Lobsang Rampa - Feeding The Flame
Bernard King - Meanings Of The Runes
The Troth - Heathen Bookhoard A Reading List
Aleister Crowley - The Star And The Garter
Edward Hare - Bewitched And Bothered

Wednesday, March 1, 2006

Power Tarot More Than 100 Spreads That Give Specific Answers To Your Most Important Question

Power Tarot More Than 100 Spreads That Give Specific Answers To Your Most Important Question Cover

Book: Power Tarot More Than 100 Spreads That Give Specific Answers To Your Most Important Question by Trish Macgregor

Let me start off by saying this book provides far more than just Tarot spreads. Admittedly, the promise of 100 spreads was the reason I bought this book in the first place. As I began my journey reading Tarot, I needed spreads to practice my skills--only knowing the common Past/Present/Future spread. There were spreads online, but I wanted a resource in book form.

With more than 100 spreads to choose from, Power Tarot offers experienced and novice readers alike innovative and accurate ways to get answers to their most pressing questions on romance, work, finances, health, and spiritual growth. From the single card "Yes/No" draw, to the comprehensive twenty-four card spread of the Double Horoscope, from the traditional Celtic Cross to the Past-Life Spread, you will find spreads to answer particular questions, while others describe more general situations. Writing in plain English, authors Trish MacGregor and Phyllis Vega give you information an the meaning of each card in the tarot deck (no matter which deck you use), both in general and as the card relates to specific issues. There are tips on how to determine the time frame of an event, exciting insights into traditional interpretations, and easy-to-follow diagrams for the position and meaning of the cards in each spread.

Suprisingly, out of 288 pages, only 84 pages contain spreads--and they're in the back. The authors show you how to do a Yes/No spread, and which cards represent yes, which cards represent no and those that represent maybe. The rest of the spreads are categorized by the number of cards, spanning from the single "Card a Day" spread to the 24 card Double Horoscope Spread.

Spreads include Birthday Spread, Child Spread, Prosperity Spread, Horoscope Spread (covering all 12 Houses of the Astrological Chart), Chakra Spread (a card for each chakra plus a meditation card), Relationship Spread, Wish Spread, Career Spread, and New Relationship Spread.

My two favorites are the Mirror Spread and the Treasure Chest Spread.

The authors have this to say about the Mirror Spread: "Quite often, the qualities we dislike in another person are qualities in ourselves we aren't crazy about, either. In this way, the Mirror Spread addresses our shadow selves as well as our projections. The fifth position, what is really there, is actually a summation of a relationship's weakness or strengths."

As I mentioned, however, this book is much more than just spreads. I found it incredibly helpful in learning the meanings and nuances of Tarot Cards because the authors take each of the 78 cards of Tarot, and show you what each means for different scenarios. The authors devote a paragraph to each issue, explaining what the card means in a general reading and for questions related to work, romance, finances, health, spirituality, and empowerment. So, if the querent is asking a question about finances, for example, and the Hermit is drawn, you would find the section on the Hermit card, and read the paragraph under Finances to get an idea of what this means.

Power Tarot also features brief, general information on the Major and Minor Arcana, the Court Cards, personal loss cards, and the four elements. I highly recommend this book for those who are curious about Tarot, wanting to know how it works and what the cards mean, as well as beginning readers trying to put it all together. The variation of the 100+ spreads will appeal to both the beginner, and the seasoned veteran Tarot reader.

Janet Boyer, author of The Back in Time Tarot Book: Picture the Past, Experience the Cards, Understand the Present (coming Fall 2008 from Hampton Roads Publishing)



Buy Trish Macgregor's book: Power Tarot More Than 100 Spreads That Give Specific Answers To Your Most Important Question

Free eBooks (Can Be Downloaded):

John Dee - General And Rare Memorials Pertaining To Perfecte Arte Of Navigation
Johannes Trithemius - The Art Of Drawing Spirits Into Crystals
Correllian Times Emagazine - Issue 39 November 2009 Thanksgiving Blessings To You And Yours
The Troth - Heathen Ethics And Values Some Frequently Asked Questions
Mw Macdowall - Asgard And The Gods The Tales And Traditions Of Our Northern Ancestors Ver 2

Tuesday, January 24, 2006

Divination Of Bes Bast Or Hathor

Divination Of Bes Bast Or Hathor Cover DIVINATION OF BES, BAST, OR HATHOR
(from Leyden Papyrus)

Use a divining bowl of pottery. Use green or some vegetable based ink.
Preferable to use hieroglyphics, but try it a few times Without them and use
english (but if you can, do as the Egyptians do) Write your request or formula
in base and inner sides of bowl using the vegetable ink. Also write in either
Bes, Bast, or Hathor's name three times while meditating on the Goddess and your
request. (pick one goddess, not all three)

Pour consecrated water in it to dissolve the writing.
Swallow water
Go to sleep

(If you can sleep in a temple, sacred area, so much the better, otherwise at
home, and record your dreams when you wake up.)

A divination bowl, in Egypt, was specially made for the purpose; however, if
you're not a potter, pottering around, find one out of pottery, usable (no lead
based paint or in the clay), about the size of rice bowl. Consecrate and bless
it, and viola, a divining bowl.

Back in those days, green paint was either a vegetable dye or green ochre. They
didn't use the ochre, but a vegetable dye would work. Although I know of people
who specific-ally prepare a vegetable ink (macerated herbs in a small bowl of
water), a food coloring would be okay, but I would still suggest using a mortar
and pestle and grinding some herbs you specially selected, and putting it into
the food colored water and let it seep for a bit, and then use that. It would
definitely be closer to the spirit of the occasion. I know, next you are going
to ask, what herbs?

Well, the ancient Egyptians had comfrey and you can heal thyself at the same
time. Lettuce was considered an aphrodisiac, sacred to Min (so if your request
or question is along that line, add that); they also used mint a lot.

Free eBooks (Can Be Downloaded):

Michael Smith - Ways Of The Asatru
Alfta Odinnsen - Alfta Dictionary Of Northern Lore
Anonymous - Meditation Of The Four Magickal Weapons
Anonymous - Divination Spreads
James Eschelman - Invocation Of Horus

Friday, January 13, 2006

The Rider Waite Tarot Deck

The Rider Waite Tarot Deck Cover

Book: The Rider Waite Tarot Deck by Arthur Edward Waite

Things that are deeply touch people are the Things That survive the test of time and are well known. The Mona Lisa, for example, is considered a pivotal piece of art and is universally recognized, even though there are thousands of portraits that are both more realistic and completely finished. Somehow, this piece resonates with people in some way so that it's appeal and visceral attraction never fades.

The same is true of the Rider Deck. As noted in other reviews, there are quite literally hundreds of decks ranging from everything from baseball to vampires to dragons to unicorns. Many people collect Tarot cards, but most everyone starts here with the Rider Deck. Indeed, of the hundreds of books published on the Tarot, almost every book I've seen for the beginner to the advanced uses the Rider deck as an example. Most decks are based in the symbolism of the Rider deck as well and if they don't work as well, it's because they've glossed over the symbolism so pivotal in the Rider.

Why, then has the Rider not only survived but evolved to be an archetype of the tarot itself? I think because it speaks to us and it's the easiest to understand even at a quick glance. The symbolism is so strong that the beginner can easily remember what any given card represents (no mean feat when there are 72 cards to remember and read!) The symbolism is also so detailed and deep that the advanced caster is always able to find deeper meaning, make more and more connections between cards during a casting.

Drawn almost like an illuminated manuscript in solid colors with clear, black outlines before the age of airbrush or computer 3D rendering, there is something timeless about it that connects us to it's rich and deep history. It's not flashy or zippy, but yet it's imagery is everywhere if we choose to look for it (didn't Led Zepplin even put the tarot of The Hermit on one of their album covers??)

Today there are literally hundreds of tarot decks to choose from, most of which are artistically superior to this seemingly rudimentary little deck. And yet, those many decks, which use subtle colors, modern printing techniques and even computer imaging, fail to compete with it. Why? The Rider deck truly has a soul, and it's images shoot straight to the heart. People can often "intuitively" read this deck without any previous Experience With the tarot. If the point of art is to make you feel your humanity, this deck's art is truly amazing. For all it's coarse lines and flat colors, the deck somehow rises above itself, gracefully conveying all aspects of the human condition. The Rider deck is a perfect first and last deck. Pamela Coleman Smith's unique symbolism ranges from the simple to the truly arcane...It stirs the psyche and livens the soul. If you are in the market for a deck, my advice is to look not only with your eyes, but with your heart. The Rider deck is not as "glittery" as some of it's more modern counterparts, but in the long run it is a wonderful and rewarding tarot without equal.

While there's certainly nothing wrong with exploring other decks, the Rider-Waite is the perfect place for the beginner, ESPECIALLY because any good book on the tarot will use this very deck to explain the symbolism of the cards. Learn on the Rider, become proficient at it, then, if you like, branch out into something different like Egyptian Tarot or the Halloween tarot (my other favorite for it's playful holiday symbolism). Beginning with a different deck and working with it right away will not be as satisfying or as easy to understand as the Rider. Like great art, it's timeless because it resonates with us in deep and profound ways. It may not have been the first, but in many ways, it may well be the BEST. This is a wonderful deck for someone new to the Tarot and even for a person who is adept with the Tarot. I just wish I bought it earlier. Lovely deck that I highly recommend.

Buy Arthur Edward Waite's book: The Rider Waite Tarot Deck

Free eBooks (Can Be Downloaded):

Arthur Edward Waite - The Pictorial Key To The Tarot
Aleister Crowley - The World Of Tarot
Aleister Crowley - The Zodiac And The Tarot
Aleister Crowley - Thoth Tarot Deck

Wednesday, November 16, 2005

Blackout And Sigils

Blackout And Sigils Cover BLACKOUT AND SIGILS
Fra.: Apfelmann

The blackout or as it is commonly referred to, the death posture, is the
technique that the late Austin Osman Spare refined for his own magical use and
which has been adopted by chaoists, solo and group, world wide as its popularity
has been increased by the works of the IOT over the last decade or so.

The normal procedure, as many will undoubtedly be familiar with, (and this is
only one of its uses) is that a sigil/glyph of desire is held in the mind's eye
whilst in what we all refer to as the death posture e.g., stood on tiptoe, arms
locked behind the head, body stretched to its limit, deep spasmodic breathing,
until total exhaustion and inevitably one blacks out, the sigil is then lost to
the mind of the inner and the banished of laughter is evoked to prevent the
resurfacing of the said sigil.

Anyone who has used this technique for the above said purpose, will have at
sometime or another experienced, even if just slightly, difficulty in holding
the posture long enough for the desired gnosis to take effect sufficiently for
blackout. And due to this difficulty, a well planned ritual can be a well
planned waste of time as the desired result is not implanted properly.

A technique that has been repeatedly employed by myself on such occasions is
based upon the same principles as the death posture but as I have found, a
little easier and without pitfalls that one can experience with A.O. Spare's
technique.

This technique is a strange mixture of inhibitory and excitatory gnosis, forced
overbreath-ing, dancing or spinning, and of course exhaustion. The end result
is of necessity for this process the blackout, which is as we know, of the
inhibitory gnosis. I will now explain how this technique is employed by one for
the insertion of sigils for whatever purpose one feels the need.

First one has to sigilize the desire in any form that one may wish, but in all
cases and especially this one, it must be very easy to visualize. Once that has
been achieved, one may then begin to design the ritual for that particular
purpose in mind. Banishings and invocations may be employed, if so wished, this
is, however, not a necessity for the successful outcome of this process.
At the culmination of the rite the individual starts the overbreathing, panting
deeply and spasmodically and at the same time visualizing the sigil as vividly
as you possible can, bright, intense and very clear as the overbreathing
continues. Then when you feel that the time is right, start your spinning round
and round, still overbreathing and still holding your visualized sigil in your
mind's eye. Music can be played for a background to the dancing, tom toms or any
other drum is rather excellent background sound for this purpose. When the
individual has reached a state of sheer exhaustion, very dizzy, sweating and
ready to drop, he or she then, still spinning and overbreathing and of course
holding the visualized sigil in mind, works their way to the centre of the
circle or working area.

There a partner, either active or passive to the rite, (in other words, if a
solo worker, try to get someone to help you with this part) stops you spinning
and grabs you in a bear hug lifting you off the ground and squeezing you about
the solar plexus, where a large network of nerves lie. At this precise moment
the music, if any has been employed, is stopped, and death-like silence is kept.
The practitioner holds his or her breath whilst being squeezed and the sigil is
visualized as if burning with bright, white heat as its image is burnt into your
mind. Within seconds the blackout will occur and the sigil is lost to the mind.
At this point it is important that your partner lets you drop to the floor,
unless that is you wish to return to primal chaos!

On coming round, in most cases, you should evoke laughter to banish the sigil
and all thoughts thereof, your laughter breaks that silence and the rite is
finished in whatever manner wished.

With fractalic greetings and laughter * Fra.: Apfelmann *







Free eBooks (Can Be Downloaded):

Tuesday Lobsang Rampa - Tibetan Sage
Vovim Baghie - The Grand Satanic Ritual
Stephen Flowers - Black Runa
Carroll Runyon - Magick And Hypnosis

Tuesday, November 8, 2005

The Tarot Contemplation Ritual

The Tarot Contemplation Ritual Cover The Tarot Contemplation Ritual


-Remove the 22 cards of the Major Arcana. Keep the cards of the Major Arcana
with you while you perform the relaxation ritual.

-Immediately after completing the relaxation ritual, take the cards of the
Major Arcana and mix them up (shuffle them) in any manner you desire until you
feel it is time to stop.

II. Brief Rite

(after/before Rituals & Magick)

-Select any one card and look at the picture for about three minutes. At this
point do not attempt to analyze the symbols, simply gaze into the card and
clear your thoughts.

-Take three deep breaths and the Brief Rite is complete.

-Record the card name and number in your Magickal Journal. Also, record any
feelings, sensations, or ideas you received while contemplating the card.

III. Extended Rite

(Meditation/Contemplation)

-Select any one card and look at the picture for about two to three minutes.
Take a few deep breaths, and clear your mind as you focus on the card.

-Be sure that your mind is clear and focused on the card. Imagine Yourself as
the main character in the card. You may change the sex of the main figure of
the card so that the sex of that character matches your own. If there is no
main character, or no human character, simply put yourself into the card
anywhere. Visualize yourself in the card.

-When you are certain that you have placed yourself within the surroundings of
the card, slowly close your eyes. Be sure that your last Physical image is of
the card. While strongly concentrating on the fact that you are still "in" the
card, will your psychic eyes open. Once your psychic eyes are open, look
around. See everything in the card from the view of yourself within the card.
Try to see what is behind the designs of which you can normally only see the
front. Most importantly, determine if you can "see" anything beyond the edges
of the card. Don't do anything, just look. Do not attempt to move or go
anywhere.

-Will your psychic eyes to close and return to normal consciousness. Record
your experience, whether or not you experienced any unusual sights, sounds,
smells, tastes, feelings, or sensations. Read this several hours after you
have completed the ritual.








Free eBooks (Can Be Downloaded):

Israel Regardie - The Art Of True Healing
Anonymous - The Magickal Explanation Of Use Psalm
Arthur Edward Waite - The Secret Doctrine In Israel.pdf
Aleister Crowley - The Initiated Interpretation Of Ceremonial Magic
Anton Szandor Lavey - The Satanic Rituals

Sunday, October 16, 2005

The Tarot Path Of Achievement

The Tarot Path Of Achievement Cover by Hermotimus

The Path of Achievement is charted by the Major Arcana of the Tarot Deck. Each
of us is aware that achievement is based on the accomplishment of goals. The
Major Arcana accurately charts the process of setting and completing goals
through 22 steps, each represented by a Major Arcana card. The Understanding of
this 22-step process is a very important tool for self-development.

The Path begins with The Fool. This card illustrates each one of us. We walk
along a path with our heads in the clouds, and fall into the abyss. The fall is
normal and almost a part of our nature. The shock of landing in the abyss is,
however, the separation between success and failure. The failures blame this
fall on others, or on circumstances or the Gods and Goddesses. When they pick
themselves up they walk upon whatever path is easily found. The successful
person stops at this point and asks "Why have I fallen?" This question leads to
the realization that one need not have fallen, and that to prevent a future
fall, one must make a change in what one is doing. This realization is the
beginning of the Path of Achievement. The realization that change is necessary
leads us to The Magician.

The card of The Magician illustrates that we have all the tools needed to make a
change in our path. The four tools upon the table are symbolic of the four tools
available to us. The sword symbolizes reason, and the cutting edge of logic that
is the conscious mind. The Wand represents the subconscious mind. The Cup is
symbolic of the superconsciousness, and the Pentacle represents our experience
and knowledge of the world around us. These four tools are all that are needed
on this path. The understanding that we have all we need to proceed along the
path, is the first step on the Path of Achievement.

The High Priestess represents the subconscious mind symbolized by the Wand on
the Magician's table. This is intuition, and the hidden wellspring of knowledge
that we have gained from experience. Through this intuition we learn what change
must be made to prevent another fall. The knowledge of what change is needed is
inherent within us. We must allow what is there to come forth. Quiet meditation
is the key to allowing the subconscious mind to tell us things we need to know.
This change, suggested by our subconscious, now becomes our goal. This is the
second step on the Path of Achievement.

The Empress represents our experience and knowledge, and is symbolized by the
Pentacle upon the Magician's table. Here, we add up the experience learned in
our life about the world around us, and the nature of existence. This is the
basis that the other tools will use to chart our path toward the goal. Here we
must take time to reflect and remember. This is the third step upon the Path of
Achievement.

The Emperor represents the conscious mind, and is symbolized by the sword upon
the Magician's table. We know the goal. We have our experience to guide us. Now,
through reason and logic, we must set forth the necessary course that we will
traverse to achieve the goal. The conscious mind will take the goal and what we
have learned, and develop the specific acts needed to achieve the goal. Each act
must be clearly defined and stated before we can proceed. This is the fourth
step of the Path of Achievement.

The Pope represents the superconsciousness symbolized by the cup upon the
Magician's table. Here is the first test of the goal we have set for ourselves.
Our emotions guide us to understanding the superconsciousness. Does this goal
feel right? Is this what I need to do? Seek quietly within the mind and allow
your emotions to tell you the rightness of this goal. This is the fifth step on
the Path to Achievement.

The Lovers card is the point of decision of whether to proceed with the goal.
Here, we must take all our intuition, our knowledge and experience, our reasoned
thought, and our emotions as the basis for this decision. If there is something
wrong with our goal or the acts we will perform to achieve it, we will know it
here. If there is something wrong, return to the High Priestess and start from
that point again. The sixth step is your decision. When your decision is Yes,
the Chariot awaits you!

The Chariot begins the second phase of the Path of Achievement. It represents
the drive and self-discipline needed to carry out each specific act set down as
part of the first phase. Here we must set ourselves to the accomplishing the
specific acts needed to reach the goal. This is the key to achievement. The
self-mastery needed to complete what we set out to do is thus the seventh step
on the Path of Achievement.

Strength illustrates that while physical strength is needed, it alone is not
enough. We cannot open the jaws of the lion (nature) without his cooperation. We
must work with and cooperate with the natural order in carrying out our specific
acts. Many strong people fail because they do not realize that nature must be
worked with, and not against. This is the eighth step on the Path of
Achievement.

The Hermit represents the constant need for vigilance as we carry out the
specific acts. It is easy to become distracted by the day to day events of life
and thus abandon our goal. Vigilance is the lonely sleepless watcher who warns
us when we are about to go astray. The ninth step is to be vigilant each day and
remember the importance of what we are accomplishing.

The Wheel of Fortune illustrates the working of fate in our daily lives. We all
experience the daily variations of existence, but allowing these variations to
rule your life is not the path to your goal. Accept that fate has a hand in all
things, and thus all things change. Accept also that we are not ruled by fate,
and our will to succeed can overcome the casual acts of fate. This is the tenth
step of the Path of Achievement.

Justice pictures the need to balance our daily affairs with the accomplishment
of our goal. The need for balance and harmony in the midst of the changes we are
under-going must be realized. The single-minded pursuit of a goal leaves too
many routine tasks unfinished. Therefore, we must balance our daily needs with
the specific acts required to accomplish our goal. Proper rest and leisure, an
adequate diet, daily household chores must be part of the balance and harmony of
accomplishing the goal. This is the eleventh step upon the Path of Achievement.

The Hanged Man represents the need for sacrifice. The task of creating something
new is always preceded by the destruction of something else. We must sacrifice
old ideas and old patterns to achieve the goal. We must be willing to sacrifice,
and we are at the point in reaching our goal where certain things must be given
up. This realization is the twelfth step on the Path to Achievement.

Death illustrates that the sacrifices we are making from the previous step have
opened the door for new ways. Death is the Transformation from old to new. Old
growth must be pruned to allow the new seeds a chance to grow. The destruction
of the old ideas naturally results in the growth of new ideas. This is the
thirteenth step on the Path to Achievement.

Temperance is the time of prudence to allow the new ideas to grow and develop.
Give yourself time to allow your conscious and subconscious minds the
opportunity to set these new ideas in place. Haste is not a sign of progress.
It is a sign of failure. Thus step fourteen is the growth of new ideas and the
putting of these ideas into their proper places.

The Devil illustrates that we are easily chained to our past. It is never easy
to break old patterns and habits. Here we must sift through the ideas which have
grown and chose those of benefit to keep. Not all the new ideas are good, and we
must separate good and bad before we can continue. The task of the Devil is the
separation of good and bad, and is the fifteenth step on the Path of
Achievement.

The Tower Struck by Lightning is a graphic description of our break with the
past. Here we destroy and leave behind all the old patterns and habits. This is
the stripping away of what is no longer needed. The Tower suggests that this
stripping away is not always a painless task. But it is a necessary task. Thus,
the sixteenth step is the final removal of the ideas and patterns that have
hindered us on the Path of Achievement.

The Star represents the calm following the storm. Here one must take stock of
what remains and place it in proper order and perspective. This is not the time
for action but a time for ordering the cycle of our existence. The water in this
picture shows that we are in the emotional storm that gives no outward look. The
stars in the sky each have a definite place and so do we. This is the
seventeenth step on the Path of Achievement.

The Moon illustrates climbing out of the emotional sea and into the heights of
reason. The dark night of the soul is that climb from emotion to reason. Here we
stabilize what has occurred within us. We are emotionally calm and the light of
reason is just a short distance ahead. This is the eighteenth step on the Path
of Achievement.

The Sun shows the new person we have become in the full light of reason and
enlightenment. We are again as children, looking through our garden at the
wonders and delights it holds. We have gained new meaning and new ideas, and
here we can explore all that we have achieved. This is the nineteenth step on
the Path of Achievement.

The Final Judgment. Here we must ask "Have I completed my goal?" This is the
final step. A final judgment of all that has been done along this path. It is
also the judgment of our higher power on what we have done and accomplished
along the way.

The World illustrates the victory of our achievement. We have successfully
negotiated the Path of Achievement, and reached a new summit to our life and
being. But remember, the Fool again waits ahead for us to stumble. We will not
fall so deeply into the abyss next time, and our rise will be to a higher
summit.

Books in PDF format to read:

John Musick - The Witch Of Salem
Tuesday Lobsang Rampa - The Cave Of The Ancients
Rabbi Michael Laitman - The Path Of Kabbalah
Anonymous - The Prayers Of The Elementals
Roger Bacon - The Mirror Of Alchemy